GLOSSARY
To help give you a basic
understanding of audio terminology
A / B / C
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Acoustic
feedback - A squealing
sound when the audio output of a P.A. system is picked up by
a microphone and sent, in phase, back into the mixer’s
input.
Acoustic
suspension - A sealed or closed box speaker enclosure.
Also called a sealed enclosure, or infinite baffle.
Ampere
(A) - The unit of measurement for electrical current
in coulombs per second. There is one ampere in a circuit that
has one ohm resistance when one volt is applied to the circuit.
See Ohms Law.
Amplifier
- An electrical circuit designed to increase the current, voltage,
or power of an applied signal.
Amplitude
- The relative strength (usually voltage) of a signal.
Attenuation
- The reduction, typically by some controlled amount, of an
electrical or acoustic signal.
Audio
frequency - The acoustic spectrum of human hearing,
generally regarded to be between 20 Hz and 20 kHz.
Audiophile
signal processing (Analog) - Really expensive esoteric
rackmount effects processors designed to reduce tape hiss, eliminate
tape saturation, reduce wow and flutter and clean up any tube
distortion in the signal path during the analog (tape) recording
process. Thus making the final product much more pristine and
therefore better sounding to the listener.
Audiophile
signal processing (Digital) - Really expensive esoteric
rackmount effects processors and software plug-ins designed
to emulate tape hiss, and tape saturation, induce wow and flutter
and create tube distortion in the signal path during the digital
recording process, thus making the final product much less pristine
and therefore better sounding to the listener.
Baffle
- A board or other plane surface used to mount a loudspeaker.
Bandwidth
- The range of frequencies covered by a driver or a network
(crossover).
Band-Pass
filter - An electric circuit designed to pass only
a certain range of frequencies. See also High-pass and Low-pass
filters.
Basket
- The metal frame of a speaker.
Bass
Reflex - See ported enclosure.
Bi-amping
- Means that instead of driving a speaker full-range with a
single channel of amplification, through a single set of speaker
cables, you actually connect two sets of cables, with each set
driven by a separate amplifier, or separate channels of a multi-channel
amplifier. This way, low, mid and high frequencies each receive
dedicated amplification.
Booking
Agent - A middle-aged man with a poorly glued toupee
who tells you that it’s only 160 kilometres to the gig
when in fact it’s 360 kilometres. The same guy who thought
inserting a one-nighter in Fort Wayne Indiana between shows
in San Diego and San Francisco was somehow a good idea.
Boomy
- The smearing of transients that makes bass reproduction
sound muddled.
Bridging
- Combining both left and right stereo channels on an amplifier
into one higher powered mono channel. When an amplifier is bridged,
the impedance that each half of the amplifier actually "sees"
is 1/2 of the loudspeaker’s impedance.
Channel
- The path an audio signal travels through a circuit during
playback.
Circuit
- A complete path that allows electrical current from one terminal
of a voltage source to the other terminal.
Clam
- A really obvious mistake such as a wrong note or bad chord
change. i.e., you meant to do one thing but screwed up instead.
Usually followed by: “I thought you said D not E.”
“Sorry I was reaching for my drink and I dropped my drum
sticks.” “If it’s not too much trouble can
you end the song at the same time as everyone else?” “I
thought it was a good time to change the key of the song but
you’re right, I should have told the rest of the band.”
Also see Oyster.
Click
Track - You can ignore this if you ever come across
one. Everyone else does. Think of it like a metronome.
Clipping
- (1) a distortion caused by cutting off the peaks of audio
signals. Clipping usually occurs in the amplifier when its input
signal is too high or when the volume control is turned too
high and the amplifier tries to put out too much current and
it sends out direct current to the speakers. (2) when playing
at loud volumes, and the cone of the driver “bottoms out”
- it cannot move as far as the signal requires it to, it can
produce a noise. If an amplifier or speaker is left operating
in this condition, serious damage may occur.
Continuous
Average Power - The amount of power in a signal. Usually
the signal is a sinewave used to test power amplifiers. This
is calculated from the RMS voltage hence is often incorrectly
called RMS watts. It is the voltage that is RMS, not the wattage.
When this is done with a sinewave, this is the most conservative
measurement of power. Often the power measurement is done over
a very limited time period that is not stated. This avoids exposing
a common weakness in many amplifier designs.
Count
In - The one or two bar count that prepares the band
for the beginning of the song. Usually, at least one band member
is too busy checking out the crowd to be any part of this fundamental
process.
Crossover
Network (Filter) - An electric circuit or network that
splits the audio frequencies into different bands for application
to individual speakers. See Electronic and Passive Crossover.
Current
(I) - The flow of electrical charge measured in amperes.
Damping
- The reduction of movement of a speaker cone, due
either to the electromechanical characteristics of the speaker
driver and suspension, the effects of frictional losses inside
a speaker enclosure, and/or by electrical means.
Decibel
(dB) - (1) A logarithmic scale used to denote a change
in the relative strength of an electric signal or acoustic wave.
It is a standard unit for expressing the ratio between power
and power level. An increase of +3dB is a doubling of electrical
(or signal) power; an increase of +10dB is a doubling of perceived
loudness. The decibel is not an absolute measurement, but indicates
the relationship or ratio between two signal levels. (2) SPL
(sound pressure level) can be measured in dB.
Diaphragm
- The part of a dynamic loudspeaker attached to the voice coil
that moves and produces the sound. It usually has the shape
of a cone or dome.
Diffusion
- The scattering of sound. Diffusion reduces the sense of direction
of a sound source, a useful quality in surround speakers.
Direct
Current (DC) - Current in only one direction.
Dispersion
- The spreading of sound waves as it leaves a speaker.
Distortion
- Any undesirable change or error in the reproduction of sound
that alters the original signal.
Dome
Tweeter - A high frequency speaker with a dome-shaped
diaphragm.
Driver
- A loudspeaker unit, consisting of the electromagnetic components
of a speaker, typically a magnet and voice coil that actually
converts electrical energy into sound.
Dynamic
range - The range of sound intensity a system can reproduce
without compressing or distorting the signal.
Efficiency
rating - The loudspeaker parameter that shows the level
of sound output when measured at a prescribed distance with
a standard level of electrical energy fed into the speaker.
Electronic
Crossover - Uses active circuitry to send signals to
appropriate drivers. Usually more efficient than passive crossovers,
however requires additional amplifiers to drive each frequency
band.
Enclosure
- The box that contains the driver(s).
Equalizer
- Electronic device used to boost or attenuate certain frequencies.
Filter
- Any electrical circuit or mechanical device that removes or
attenuates energy at certain frequencies. See Crossover Network.
Flat
Response - The faithful reproduction of an audio signal;
specifically, the variations in output level of less than 1dB
above or below a median level over the audio spectrum.
Frequency
- The number of waves (or cycles) arriving at or passing a point
in one second, expressed in hertz (Hz).
Frequency
Response - The frequency range to which a system, or
any part of it, can respond.
Full-range
- A speaker designed to reproduce all or most of the sound spectrum.
Ground
- Refers to a point of (usually) zero voltage, and can pertain
to a power circuit or a signal circuit.
Harmonic
- The multiple frequencies of a given sound, created by the
interaction of signal waveforms.
Harmonic
Distortion - Harmonics artificially added by an electrical
circuit or speaker, and are generally undesirable. It is expressed
as a percentage of the original signal. See THD.
Hertz
(Hz) - A measurement of the frequency of sound vibration.
One hertz is equal to one cycle per second. The hertz is named
for H.R. Hertz, a German physicist. Also a good place to rent
a car when you’re on vacation.
High-pass
Filter - An electric circuit that passes high frequencies
but blocks low ones. See Band-pass and Low-pass filters.
Horn
- A speaker design using its own funnel shaped conduit to amplify,
disperse, or modify the sounds generated by the internal diaphragm
of the speaker.
Hum
- Audio noise that has a steady low frequency pitch often caused
by interference from the AC power line.
Imaging
- Listening term - it is the speaker’s ability
to locate where each instrument or voice is located.
Impedance
- The opposition of a circuit or speaker to ac current; the
combined effect of a speaker’s resistance, inductance,
and capacitance that opposes the current fed to it. It is measured
in ohms and varies with the frequency of the signal.
Infinite
Baffle - A flat surface that completely isolates the
back wave of a driver from the front.
Kilohertz
(kHz) - One thousand hertz.
Low-Pass
Filter - An electric circuit designed to pass only
low frequencies. See Band-pass and High-pass filters.
Lobing
- The tendency of a speaker system that consists of more than
one driver to produce a lobed frequency response in space with
in-phase reinforcement (lobes) from the various drivers occurring
at some elevations and out-of-phase opposition (nulls) at points
between the lobes.
Maximum
power rating - A value which means almost nothing,
but is used nonetheless by manufacturers to entice the unsuspecting
into purchasing their product based solely on the big number.
Technically, it is the maximum wattage that an audio component
can deliver/handle as a brief burst during a musical peak. Most
reputable manufacturers will provide both an RMS and Max power
rating. Typically, the given value for the maximum power rating
is twice to three times that of RMS.
Midbass
- Mid level bass, usually frequencies just above the sub-bass
range, from around 100-400Hz or so.
Midrange
(mids) - The frequency range above bass but below treble
that carries most of the identifying tones of music or speech.
It is usually from 300- 400Hz to 3kHz or so.
Mono
- Monophonic sound. A method for reproducing sound where the
signals from all directions or sources are blended into a single
channel.
MOSFET
- Metal Oxide Semiconductor Field Effect Transistors.
Noise
- Any undesirable sound reproduced in an audio system.
Octave
- A range of tones where the highest tone occurs at twice the
frequency of the lowest tone.
Ohm
- A unit of electrical resistance or impedance.
Ohm’s
Law - A basic law of electric circuits. It states that:
the current [I] in amperes in a circuit is equal to the voltage
[E] in volts divided by the resistance [R] in ohms; thus, I
= E/R.
Out
of Phase - When your speakers are mounted in reverse
polarity, i.e., one speaker is wired +/+ and -/- from the amp
and the other is wired +/- and -/+. Bass response will be very
thin due to cancellation.
Oyster
- A really big messy clam that usually lasts for more than one
full measure. Also see Clam.
Passive
Crossover - Uses inductors (coils) and capacitors to
direct proper frequencies to appropriate drivers.
Passive
Radiator - A device that looks just like an ordinary
driver, except it has no magnet or voice coil. A radiator is
usually a highly compliant device, with a similar cone material
and surround found on regular active drivers. The radiator must
usually be at least as large (or larger) than the driver it
is aligned with. The passive radiator is tuned and used in place
of a port, providing bass reinforcement for the driver in a
similar fashion as any regular ported box.
Peak
- The maximum amplitude of a voltage or current.
Peak
Power Rating - See Maximum power rating.
Phase
- Refers to the timing relationship of two or more
signals or soundwaves. It’s especially important to be
sure that your stereo speakers are playing “in phase.”
This means that the drivers (cones and domes) of your right
and left speakers are moving in and out at the same time. If
your speakers are “out of phase” you’ll hear
significantly less bass, and instead of producing a strong center
image, the sound tends to stay localized at the speakers.
Phase
Coherence - The relationship and timing of sounds that
come from different drivers.
Phase
Distortion - A type of audible distortion caused by
time delay between various parts of the signal; can be caused
by equalizers.
Polarity
- The orientation of magnetic or electric fields. The polarity
of the incoming audio signal determines the direction of movement
of the speaker cone. Must be observed when wiring speakers,
so that they are “in phase”. See Out of Phase.
Ported
Enclosure - A type of speaker enclosure that uses a
duct or port to improve efficiency at low frequencies. Excellent
design for lower power systems, as the port often adds up to
+3dB to low frequency efficiency.
Rear
fill - The ambience created by a pair of rear speakers
that helps complete the soundstage.
Resonance
- The tendency of an object to vibrate most at a particular
frequency.
Resonance
Frequency - The frequency at which the speaker tends
to vibrate most at a certain frequency.
Resistance
(Re) - In electrical or electronic circuits, a characteristic
of a material that opposes the flow of electrons. Speakers have
resistance that opposes current.
RMS
volts - In an AC signal the instantaneous voltage is
constantly varying. The RMS measuring process combines the the
signal into a number that can be used to accurately calculate
average power. Wattage calculated based on RMS voltage is correctly
termed continuous average power. RMS power is an incorrect term
usually used to represent continuous average sinewave power.
RMS
watts - An incorrect term used to refer to continuous
average sinewave wattage. This is the most conservative measure
of power capability of audio equipment.
Roll-off
(cut-off) - The attenuation that occurs at the lower
or upper frequency range of a driver, network, or system. The
roll-off frequency is usually defined as the frequency where
response is reduced by -3dB.
Satellite
Speaker - A small speaker with limited bass response,
often designed to be used with a matching subwoofer.
Sealed
enclosure - Air tight enclosure that completely isolates
the back wave of the driver from the front.
Signal
- The desired portion of electrical information.
Signal-to-noise
(S/N) - The ratio, expressed in dB, between the signal
and noise.
Sinewave
- The waveform of a pure alternating current or voltage. It
deviates equally above a zero point to a positive value and
an equal negative value. Audio signals are sinewaves or combinations
of sinewaves.
Soundman
- The one person everyone in the band should treat really well
... but doesn’t. He or she is the hard working individual
that can fix everything you own (including the band’s
van) armed with nothing but a jackknife, a gum wrapper and gaffer
tape. They also have the power to determine exactly how much
of yourself you hear in the monitor mix, whether or not your
vocals are dry and thin, or big and full with lots of effects.
They are the person that spends your entire show with their
hands closest to the ‘suck’ control, carefully hidden
on any mixer.
Sound
Pressure Level (SPL) - The loudness of an acoustic
wave stated in dB that is proportional to the logarithm of its
intensity.
Spider
- The flexible material that supports the former, voice coil,
and inside portion of the cone within the speaker frame.
Standing
Wave - A buildup of sound level at a particular frequency
that occurs when any dimension of the room is equal to any multiple
of the wavelength. You would hear it as a peak in the frequency
response of the room.
Sub-bass
- Portion of bass that is very low, usually from 20Hz-100Hz
or so.
Subwoofer
- A loudspeaker designed to reproduce only bass frequencies.
Timbre
- The quality of a sound related to its harmonic structure.
Timbre is what gives a voice or instrument its sonic signature
- why a trumpet and a saxophone sound different when they play
the same note.
Three-way
- A type of speaker system composed of three ranges
of speakers, specifically a woofer, midrange, and tweeter.
Total
Harmonic Distortion (THD) - The percentage, in relation
to a pure input signal, of harmonically derived frequencies
introduced in the sound reproducing circuitry and hi-fi equipment
(including speakers).
Transient
Response - The ability of a speaker to respond to any
sudden change in the signal without blurring (smearing) the
sound. A speaker that can react quickly to rapid changes in
sound has “good transient response”.
Treble
(highs) - The upper end of the audio spectrum reproduced
by tweeters, usually 3-4kHz and up.
Tweeter
- A speaker designed to reproduce the high or treble range of
the sound spectrum.
Two-way
- A type of speaker system composed of two ranges of speakers,
usually a woofer and tweeter.
Voice
coil - The wire wound around the speaker former. The
former is mechanically connected to the speaker cone and causes
the cone to vibrate in response to the audio current in the
voice coil.
Volt
(E) - A unit of measurement used to measure how much
“pressure” is used to force electricity through
a circuit.
Watt
- A unit of electrical power. A watt of electrical
power is the use of one joule of energy per second. Watts of
electrical power equals volts times amperes.
Wavelength
- The length of a sound wave in air. It can be found for any
frequency by dividing the speed of sound in air (1120 feet per
second) by the frequency of the sound, or: WL = 1120 / Freq.
Woofer
- A bass loudspeaker designed to reproduce low-frequency sound
only. A woofer and subwoofer are usually the similar type of
loudspeaker, but their application (crossover frequency) differentiates
them.
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